Going to see the wonderful Nils Lofgren on Sunday night. At a small club in NYC.
Works for me.
In the meantime, here's my favorite song from his fabulous 1975 debut solo album.
Written, brilliantly, from the perspective (it seems to me) of a much younger guy than Lofgren was at the time.
In any event, I always wanted to cover that song live; maybe I'll get a chance if there's ever a Floor Models reunion.
Have a great weekend, everybody!!!
Friday, September 28, 2018
Thursday, September 27, 2018
When We Paint Our Masterpiece
Please enjoy "Getting Back Into My Life." The lead-off track from the forthcoming Floor Models album, written by power pop legend Marc Jonson, who also contributes the stunning background vocals. That's some asshole whose name rhymes with Sleeve Nimels on bass and sampled strings, BTW.
Marc says he wrote the song for us, which is quite a compliment; we used to play it live back in the day, and it was an unbelievable thrill to finally record it this year, especially given how unexpectedly gorgeous it turned out. In any event -- thanks, pal.
As for the album, we're in the process of recording one more tune -- one of our own originals -- and we hope to have the album ready for release by the end of the year, although these things always take longer than you plan. I'll keep you posted.
Marc says he wrote the song for us, which is quite a compliment; we used to play it live back in the day, and it was an unbelievable thrill to finally record it this year, especially given how unexpectedly gorgeous it turned out. In any event -- thanks, pal.
As for the album, we're in the process of recording one more tune -- one of our own originals -- and we hope to have the album ready for release by the end of the year, although these things always take longer than you plan. I'll keep you posted.
Wednesday, September 26, 2018
Other Than That, Ms. Ono, How Did You Enjoy the Recording Session?
Two ex-Beatles working on a song about a third one.
An interesting historical curio, to be sure, but I was alarmed to learn that it was released in anticipation of a 6 disc (CD or vinyl) box set devoted to Lennon's Imagine album, which is coming out the first week in October. I'm not particularly a fan of that record, but even if I were, that box set sounds like way too much of a good thing for my taste.
In any case, you can learn more about it over HERE.
An interesting historical curio, to be sure, but I was alarmed to learn that it was released in anticipation of a 6 disc (CD or vinyl) box set devoted to Lennon's Imagine album, which is coming out the first week in October. I'm not particularly a fan of that record, but even if I were, that box set sounds like way too much of a good thing for my taste.
In any case, you can learn more about it over HERE.
Tuesday, September 25, 2018
There Were Giants in the Earth in Those Days
From 1979, please enjoy The Pretenders and a rare early video demo of their cover of The Kinks' classic "Stop Your Sobbing."
You know, there are days I think that, pound for pound, Chrissie Hynde is the greatest woman in rock history. And the rest of that band were no slouches either.
You know, there are days I think that, pound for pound, Chrissie Hynde is the greatest woman in rock history. And the rest of that band were no slouches either.
Monday, September 24, 2018
Our Beloved Revolutionary Sweetheaert
Off to see Roger McGuinn, Chris Hillman and Marty Stuart do Sweetheart of the Rodeo in its entirety (and lots more Byrds songs) tonight in NYC.
In the immortal words of Edith Prickley -- could be a hot one!!!
In the immortal words of Edith Prickley -- could be a hot one!!!
Friday, September 21, 2018
Sometimes Life is Good
Why, you ask?
Because I just scored tickets to see Procol Harum at a New York City club (the show is in February).
Procol has been one of my favorite bands since forever; they were the first band I wrote about for money (at the Magazine Formerly Known as Stereo Review in 1972), and a revised version of that piece was the first thing I ever posted at this here blog back in 2007.
I've seen them a bunch of times over the years, but never in an intimate setting, so this is a real bucket list thing. And yes, I'm aware that only lead singer Gary Brooker is an original member, and no I don't care that it really isn't Procol Harum; hearing Brooker sing those songs in a small room is something I never thought I'd live to experience, and I have no doubt they'll sound terrific. So there.
Have a great weekend, everybody!
Because I just scored tickets to see Procol Harum at a New York City club (the show is in February).
Procol has been one of my favorite bands since forever; they were the first band I wrote about for money (at the Magazine Formerly Known as Stereo Review in 1972), and a revised version of that piece was the first thing I ever posted at this here blog back in 2007.
I've seen them a bunch of times over the years, but never in an intimate setting, so this is a real bucket list thing. And yes, I'm aware that only lead singer Gary Brooker is an original member, and no I don't care that it really isn't Procol Harum; hearing Brooker sing those songs in a small room is something I never thought I'd live to experience, and I have no doubt they'll sound terrific. So there.
Have a great weekend, everybody!
Thursday, September 20, 2018
Your Thursday Moment of Steve Destroying What's Left of His Street Cred Forever
Okay, this is a very weird story, so please bear with me.
Of late, I've been going to sleep while listening to old radio episodes of The Jack Benny Program over at the invaluable INTERNET ARCHIVE. I've been a Benny fan since I was a kid, but totally because of his television work; the radio stuff, which I hadn't heard until recently, turns out (for my money) to be even smarter and funnier.
One of the best things about the show is the ensemble cast, and that includes crooner Dennis Day, who is absolutely hilarious in the comedy sketches. That said, however, when I was a sprout I absolutely detested Day's musical numbers. All that Irish tenor crap just made me cringe; I considered it the worst kind of cornball kitsch sentimental ickiness on God's green earth. And don't get me wrong, I love and appreciate lots of pre-rock pop -- c'mon, early Sinatra? You'd have to be a complete moron not to dig that. But Day, and all that in Dublin's fair city shit? Beyond the pale as far as I was concerned.
But a funny thing happened in the last few months -- listening to the Benny shows, I began to really really look forward to Day's non-comedic performances. And it's starting to freak me out.
Exhibit A: From 1951 (and an episode of the show I listened to for the first time last Tuesday), here he is singing a song (that was apparently a hit for him) entitled "Mary Rose."
Okay, call me a doddering old fluff, but that really gets to me. For starters, the song is genuinely sweet, and the orchestral arrangement -- especially the Irish flutes and strings on the instrumental break -- is lovely. And for another thing, Day's voice is objectively beautiful and he's geniunely musical; his phrasing is great.
I think what I'm saying is -- I'm getting really ridiculous in my old age and somebody please shoot me now. I mean, if you had told my twenty-something self that I would be grooving to this record in my declining years I would have assumed you were huffing drugs too potent for me to have even imagined.
Of late, I've been going to sleep while listening to old radio episodes of The Jack Benny Program over at the invaluable INTERNET ARCHIVE. I've been a Benny fan since I was a kid, but totally because of his television work; the radio stuff, which I hadn't heard until recently, turns out (for my money) to be even smarter and funnier.
One of the best things about the show is the ensemble cast, and that includes crooner Dennis Day, who is absolutely hilarious in the comedy sketches. That said, however, when I was a sprout I absolutely detested Day's musical numbers. All that Irish tenor crap just made me cringe; I considered it the worst kind of cornball kitsch sentimental ickiness on God's green earth. And don't get me wrong, I love and appreciate lots of pre-rock pop -- c'mon, early Sinatra? You'd have to be a complete moron not to dig that. But Day, and all that in Dublin's fair city shit? Beyond the pale as far as I was concerned.
But a funny thing happened in the last few months -- listening to the Benny shows, I began to really really look forward to Day's non-comedic performances. And it's starting to freak me out.
Exhibit A: From 1951 (and an episode of the show I listened to for the first time last Tuesday), here he is singing a song (that was apparently a hit for him) entitled "Mary Rose."
Okay, call me a doddering old fluff, but that really gets to me. For starters, the song is genuinely sweet, and the orchestral arrangement -- especially the Irish flutes and strings on the instrumental break -- is lovely. And for another thing, Day's voice is objectively beautiful and he's geniunely musical; his phrasing is great.
I think what I'm saying is -- I'm getting really ridiculous in my old age and somebody please shoot me now. I mean, if you had told my twenty-something self that I would be grooving to this record in my declining years I would have assumed you were huffing drugs too potent for me to have even imagined.
Wednesday, September 19, 2018
A Day That Will Live in Infamy
From a press release I got yesterday.
Hey, I like vinyl as much as the next guy -- which is to say, hardly at all -- but I reviewed these records forty years ago, and it's one of my favorite things I ever wrote. [A brief note on the dramatis personae: Paulette Weiss was my editor at the mag at the time; (Noel) Coppage and (Joel) Vance were two of our other reviewers.]
And now, without further adieu, here it is as it appeared in SR in the Feburary 1979 issue.
THE BIG KISS-OFF OF 1979
It was about four o'clock when she walked into my office, dressed in a mourning suit that made her look like a road-show Ligeia.
"Are you Marlowe?" She wriggled slightly as she sat down, which either meant she liked me or she'd noticed that my furniture is upholstered in mohair.
I looked up. "That's me, like the sign says. Chris Marlowe, Aesthetic Investigator. What can I do for you, Miss -- ?" For some reason, she looked vaguely familiar, but I couldn't place her under the widow's weeds.
"The name's unimportant, but call me Ms."
"Frankly, I don't care if you want to be called late for dinner. You have a job you want done, spill it."
"Oh, a tough guy, huh?" She tossed four black record jackets onto my desk.
"The results of your Wasserman test?" I asked.
"No, shamus. Albums by Gene Simmons, Ace Frehley, Peter Criss and Paul Stanley, members of a rock band called Kiss. You'll notice they're all wearing disguises on the cover."
"Nowadays who doesn't?"
"Never mind. My employer wants you to find out why. What have these guys got to hide? You've got twenty-four hours to run down the answers."
"And if I don't?"
"Front-row seats for the Al Martino farewell tour. Get the picture?"
"I'm trembling in my Capezios."
"Don't crack wise with me, turkey. Remember, you've got twenty-four hours."
With that she was out the door. I reached for the bottle of Scotch in my desk. Mysterious liberated women, rock-and-roll...suddenly, I felt very tired.
I spent the evening listening to the four records and staring at the covers. After I polished off the Scotch I had most of the scam doped out; the rest I glommed after a few phone calls to some friends of mine in the low-life end of the music business. Rack jobbers. AM jocks. The scum of the underground. Nice people you know, Marlowe. What a world.
True to her word, she was back the next day at four.
"You look beat," she said cooly. "A rough night?"
"Rough enough," I said. "But I found out what you wanted to know. These Kiss guys have never appeared out of makeup. The records are their first solo efforts, and the idea is that they're supposed to give the poor slobs who buy this stuff a chance to find out what kind of music these guys might make if they weren't limited by the group concept. It's a symbolic dropping of the mask."
"That's pretty good, Marlowe."
"I'm not finished. The thing is, it doesn't add up; these records could be by anybody. Frehley does a bad punk imitation; Simmons has pop tendencies; Criss is a closet MOR wimp, and Stanley tries to be a guitar hero. In other words, it all still sounds like Kiss -- slick, dumb, and inconsequential."
"Good job, Marlowe," she said nervously. "Write it up and send it to this address; your check will be in the mail." She started to get up, but I beat her to the door.
"Not so fast, sister. Like I said, it doesn't add up. So I began to think. Who in her right mind would be so interested in all this that she'd hire a broken-down private dick to figure it out? And why the time limit?"
I ripped the veil and sunglasses off her face.
"I knew it. You're Paulette Weiss of STEREO REVIEW."
"I had to do it, Marlowe," she sobbed. "None of my regular reviewers would touch the stuff, and I had a deadline. It was the only way."
"You're good, sweetheart," I said, putting on my coat. "But not that good."
"You mean...?"
"That's right. I won't write the review for you. Understand?"
"But, Marlowe..."
"I won't do it, do you hear? Get Simels, or Vance, or Coppage; they'll write anything for free albums. But not me."
I started out the door. "Where are you going?" she asked in a voice as quiet as the grave.
"I don't know," I said. "Computer school, maybe. Anywhere I don't have to intellectualize over loud noises."
"You can't run out on me like this."
I shook my head. "You should have thought about it before you got into the editing racket. See you around, sister."
I walked slowly down the five flights of stairs to the street and thought about her. She wasn't the first good girl to miss a deadline, and she wouldn't be the last. Still, somehow I knew I'd never hear from her again. Like I said, what a world. -- Steve Simels
FOUR CONCURRENT KISS SOLO ALBUMS GET BOXED
The Iconic Rock Band’s Four Same-Day-Released Solo Albums Come Together
To Celebrate Their 40th Anniversary In A Limited-Edition 4LP Vinyl Box Set
Via Casablanca/UMe On October 19
Los Angeles – September 18, 2018– Forty years ago today, each one the four founding members of KISS — Gene Simmons, Paul Stanley, Ace Frehley, and Peter Criss — released their respective solo albums all on the same day to much fanfare, chart success, and platinum sales. And now, four decades later, all four of these pioneering albums are celebrated in KISS: The Solo Albums - 40th Anniversary Collection, a limited-edition 180-gram 4LP box set by Casablanca/UMe that’s earmarked for release on October 19.
Hey, I like vinyl as much as the next guy -- which is to say, hardly at all -- but I reviewed these records forty years ago, and it's one of my favorite things I ever wrote. [A brief note on the dramatis personae: Paulette Weiss was my editor at the mag at the time; (Noel) Coppage and (Joel) Vance were two of our other reviewers.]
And now, without further adieu, here it is as it appeared in SR in the Feburary 1979 issue.
THE BIG KISS-OFF OF 1979
It was about four o'clock when she walked into my office, dressed in a mourning suit that made her look like a road-show Ligeia.
"Are you Marlowe?" She wriggled slightly as she sat down, which either meant she liked me or she'd noticed that my furniture is upholstered in mohair.
I looked up. "That's me, like the sign says. Chris Marlowe, Aesthetic Investigator. What can I do for you, Miss -- ?" For some reason, she looked vaguely familiar, but I couldn't place her under the widow's weeds.
"The name's unimportant, but call me Ms."
"Frankly, I don't care if you want to be called late for dinner. You have a job you want done, spill it."
"Oh, a tough guy, huh?" She tossed four black record jackets onto my desk.
"The results of your Wasserman test?" I asked.
"No, shamus. Albums by Gene Simmons, Ace Frehley, Peter Criss and Paul Stanley, members of a rock band called Kiss. You'll notice they're all wearing disguises on the cover."
"Nowadays who doesn't?"
"Never mind. My employer wants you to find out why. What have these guys got to hide? You've got twenty-four hours to run down the answers."
"And if I don't?"
"Front-row seats for the Al Martino farewell tour. Get the picture?"
"I'm trembling in my Capezios."
"Don't crack wise with me, turkey. Remember, you've got twenty-four hours."
With that she was out the door. I reached for the bottle of Scotch in my desk. Mysterious liberated women, rock-and-roll...suddenly, I felt very tired.
I spent the evening listening to the four records and staring at the covers. After I polished off the Scotch I had most of the scam doped out; the rest I glommed after a few phone calls to some friends of mine in the low-life end of the music business. Rack jobbers. AM jocks. The scum of the underground. Nice people you know, Marlowe. What a world.
True to her word, she was back the next day at four.
"You look beat," she said cooly. "A rough night?"
"Rough enough," I said. "But I found out what you wanted to know. These Kiss guys have never appeared out of makeup. The records are their first solo efforts, and the idea is that they're supposed to give the poor slobs who buy this stuff a chance to find out what kind of music these guys might make if they weren't limited by the group concept. It's a symbolic dropping of the mask."
"That's pretty good, Marlowe."
"I'm not finished. The thing is, it doesn't add up; these records could be by anybody. Frehley does a bad punk imitation; Simmons has pop tendencies; Criss is a closet MOR wimp, and Stanley tries to be a guitar hero. In other words, it all still sounds like Kiss -- slick, dumb, and inconsequential."
"Good job, Marlowe," she said nervously. "Write it up and send it to this address; your check will be in the mail." She started to get up, but I beat her to the door.
"Not so fast, sister. Like I said, it doesn't add up. So I began to think. Who in her right mind would be so interested in all this that she'd hire a broken-down private dick to figure it out? And why the time limit?"
I ripped the veil and sunglasses off her face.
"I knew it. You're Paulette Weiss of STEREO REVIEW."
"I had to do it, Marlowe," she sobbed. "None of my regular reviewers would touch the stuff, and I had a deadline. It was the only way."
"You're good, sweetheart," I said, putting on my coat. "But not that good."
"You mean...?"
"That's right. I won't write the review for you. Understand?"
"But, Marlowe..."
"I won't do it, do you hear? Get Simels, or Vance, or Coppage; they'll write anything for free albums. But not me."
I started out the door. "Where are you going?" she asked in a voice as quiet as the grave.
"I don't know," I said. "Computer school, maybe. Anywhere I don't have to intellectualize over loud noises."
"You can't run out on me like this."
I shook my head. "You should have thought about it before you got into the editing racket. See you around, sister."
I walked slowly down the five flights of stairs to the street and thought about her. She wasn't the first good girl to miss a deadline, and she wouldn't be the last. Still, somehow I knew I'd never hear from her again. Like I said, what a world. -- Steve Simels
Tuesday, September 18, 2018
Who is That Mysterious Man, Anyway?
From their new album Contra Mundum, which drops -- as the youngs say -- today, please enjoy Nashville pop-rock band Tall Dark Stranger and their insinuating "Was What It Was."
I'll be posting some more of their music as soon as they say it's kosher; let's just stipulate that some of their other songs I've heard so far are sort of 70s retro, a la Jackson Browne. And completely gorgeous, in a sort of "Somebody's Baby" kind of way. In any case, you can find out more about them and buy their stuff at their website HERE.
I should also add that this is the kind of great locally based band -- and I know from my experience here that they're all over the place -- that the people who book the music on Saturday Night Live should be showcasing, rather than the Migos/Cardi B/Nicki Minaj utter commercial crap they mostly foist on us.
I'll be posting some more of their music as soon as they say it's kosher; let's just stipulate that some of their other songs I've heard so far are sort of 70s retro, a la Jackson Browne. And completely gorgeous, in a sort of "Somebody's Baby" kind of way. In any case, you can find out more about them and buy their stuff at their website HERE.
I should also add that this is the kind of great locally based band -- and I know from my experience here that they're all over the place -- that the people who book the music on Saturday Night Live should be showcasing, rather than the Migos/Cardi B/Nicki Minaj utter commercial crap they mostly foist on us.
Monday, September 17, 2018
76 Trombones Led the Big Parade
Actually, 28 trombones perform "Bohemian Rhapsody" by Queen.
Words fail me.
[h/t Matt Mitchell]
Words fail me.
[h/t Matt Mitchell]
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