Your Tuesday Moment of Words Fail Me

From 2004, it's Say Anything and their harrowing yet strangely uplifting "Alive With the Glory of Love."



This song, which I think is kind of a masterpiece, is also newly relevant, given the horrific scenes of children in cages we've been seeing for the last couple of days. That's all I'm gonna say about that at the moment. In any case, this is to my knowledge the only pop punk song whose subject is the love between a Jewish man and woman beset by the Nazis during WW II.

On a less somber note, I can only add that any song that steals the beat from The Supremes' "You Can't Hurry Love" is probably eternally relevant.

[h/t Dan Fridman]

Okay It's Official -- I Have Totally Mellowed on David Bowie in My Old Age

Not sure when this is from, but it's absolutely hilarious.



I swear to god, I had no idea until relatively recently that Bowie was so charming and funny.

It's Moby Grape Week Part V: Special The Abyss Stares Back Edition

From 1969, please enjoy Moby Grape and their astonishing version of "Seeing." Or as we call it around Casa Simels, Skip Spence's masterpiece.

If you seen the naked dream I had of you
Would you care and, and come through?

Take me far away, my wiser mind gave me the dream of death today
How to get by when what greets my eye takes my breath away

In my dream you were all in your stalls I watched your walls all fade away
You were bare of thoughts, we were to part and we stayed that way

Some tried to hide because they lied, they were not true and they were afraid
They refuse to see or be free, be one with me and to gods, they prayed

Cryin', "Save me, save me, save me, save me, save me
I'll save you, can I spend you?

And now this naked dream I had of you
Will you care and come through?

Take me far away, my wiser mind gave me the dream of death today
Hard to get by when what greets my eye takes my breath away

Cryin', "Save me, save me, save me"

Apart from the fact that said track is brilliant on every level (from Spence's hauntingly mumbled opening vocal to the haunted church organ that closes it) I saved it for the end of the week because the Grape bio that I've been telling you about -- What's Big and Purple and Lives in the Ocean: The Moby Grape Story by Cam Cobb....

...while otherwise estimable advances the thesis that the Grape's 2nd and 3rd albums, including '69, from whence said track derives, are inferior to the failed Grape comeback album from the early '70s.

A thesis that I believe to be completely -- and demonstrably, if you listen to "Seeing" -- wrong.

Absurdly wrong, actually.

In any case, I should add that Robert Plant recorded a pretty good cover of "Seeing," which you can find on YouTube. Plant's probably the highest profile Grape fan around, now that I think of it.

Have a great weekend, everybody!!!

UPDATE: Through a mutual friend, Grape drummer Don Stevenson has graciously forwarded me a corrected version of the "Seeing" lyrics. I have made the appropriate changes, and I'm even more impressed with Skippy as a wordsmith. Thanks, Don, from the bottom of my rapidly ageing rock-and-roll heart.

[h/t The Swede]

It's Moby Grape Week Part IV: Special If We're All One, Who Needs You? Edition

From 1999, please enjoy Brit neo-folk rockers Diesel Park West and their quite remarkable cover of Skip Spence's "All Come to Meet Her Now."



For those who haven't been keeping score, the song itself derives from Oar, the shall we say somewhat quirky solo album Spence did, as a one man band, just after leaving the Grape. The DPW version derives from a fabulous Oar tribute album, which I heartily recommend, if only for Robyn Hitchcock's contribution.

In any case, if you've never heard Oar, I should add the DPW track is far more focused than Skippy's original...



...but it's essentially the same song and arrangement. In fact, what's really cool about it is that it sounds (to my ears, at least) exactly like it would have sounded had his old band mates in the Grape ever gotten a chance to bash it out along with him.

It's Moby Grape Week Part III: Special It Came From Wolverhampton Edition

From sometime circa the early 70s, please enjoy those wild and crazee guys Slade and their surprisingly authentic cover of the Grape's classic "Omaha."



I did not know this existed until yesterday, and to be honest it would never in a million years have occurred to me that Slade would have been Grape fans. Just shows to go you, I guess.

Incidentally, the song I'm putting up tomorrow is an even bigger mind boggler. In my humble opinion

It's Moby Grape Week Part II: Special Garageland Revisited Edition

From early 1966, please enjoy Seattle's The Frantics and their haunting ode to an interspecies dance craze the "Human Monkey."



Inspirational verse:

When I say jump, you've got to jump so high
When I say do, you've got to do or die
Yours is not to reason why, you fool

In case you're wondering about the song's relevance to this week's theme, I should mention that said Frantics feature Don Stevenson on drums, Jerry Miller on guitar, and Bob Mosley on bass and vocals. In other words, three fifths of the band that would achieve notoriety a year later as Moby Grape.

I must confess that I hadn't heard (or heard of) "Human Monkey" until a few days ago, when I read about it in the terrific new band bio What's Big and Purple and Lives in the Ocean: The Moby Grape Story by Cam Cobb....

...which can (and should be) acquired over at Amazon HERE.

You can sort of understand why "Human Monkey" wasn't a hit; it's not terribly well produced and it's a little weird, which is to say by early 1966 standards it's a little too smart for the room.

But damn -- it's pretty obvious those guys already sort of had the Grape template down.

It's Moby Grape Week Part I: Special Dirty F**king Hippies Edition

From 2009, and their album Warpaint Live, please enjoy The Black Crowes and their pretty darn terrific version of Moby Grape's 1967 ode to the young girls in Haight-Ashbury "Hey Grandma."



Honesty compels me to admit that I had no idea the Crowes' cover existed until the other day. It's not as transplendent as the original, but it's awfully close both musically and attitudinally.

I should add that said song is the opening track on the Grape's first LP, which is the most exciting debut album by an American rock band ever. But we'll have more to say on that subject as the week progresses.

I should also add that the reason I'm on a Grape kick of late is because I just got turned on to What's Big and Purple and Lives in the Ocean: The Moby Grape Story by Cam Cobb...

...the just released biography the band has always deserved, and which can -- and should -- be ordered over at Amazon HERE.

More on that as the week progresses as well.

[h/t Chris E]

Your Friday Moment of Words Fail Me: Special Tales of Beatnik Glory Edition

From Swedish television, in 1968, please behold in breathless wonder The Fugs and a live version of their poignant torch song "I Couldn't Get High."



Truly, there were giants in the earth in those days. I should add that the clip is worth viewing for the brief solo segment with my long time hero Ed Sanders alone.

Have a great weekend, everybody!!!

Have Bird, Will Sing

From 2017, please enjoy the great Taj Mahal and Keb Mo' and an achingly beautiful live acoustic version of Taj's "Corrina."



I should add that the original of that appears on Taj's debut album The Natch'l Blues, from 1968, which is one of the absolute greatest albums of its era.

And which can (and should) be acquired over at Amazon here.

I Dreamed I Saw Ziggy Stardust In My Maidenform Bra

From 2015, please enjoy Irish neo-glam rockers Five Grand Stereo and their utterly brilliant tribute to "David Bowie."



I discovered that song, by accident, a few days ago, when the world's greatest intertube radio station, KOR (out of Bath, England), featured it on a playlist also including the fabulous Floor Models. In any case, it blew me away, and still does.

I should add that my fondness for it would seem to be further evidence that yes, I really AM mellowing about Bowie in my old age.