"Rumble," Mr. Wray' s signature song, was released in 1958, and its snarling two-chord pattern remains a symbol of the stylized menace of rockabilly. According to legend, the song got its title when someone said it reminded her of the fight scenes in "West Side Story."
To record it, Mr. Wray punctured his amp with a pencil, damaging the speaker just enough to give the sound a thorny fuzz. Though an instrumental, the song was considered an incentive to violence and was banned from the radio in some cities.
In other songs, like "Raw-Hide" "Jack the Ripper" and "The Swag," Mr. Wray expanded on the vocabulary of "Rumble" and experimented with rougher and more aggressive guitar sounds. To record "Jack the Ripper," Mr. Wray placed his amp in a hotel staircase, creating an eerie and enticing reverb.
Though he was imitated by other rockabilly guitarists, his wider influence was first felt in early British rock bands like the Kinks and the Who, who borrowed his sharp guitar sound, as well as some of his amp-damaging tricks. Others, especially later heavy metal and punk players, also made abundant use of the deep, chunky power chord.
We always need to remember where we came from.
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