Friday, January 02, 2026

Post-New Year's Day Weekend Listomania: Special "Big Noise From Across the Pond" Edition

Blah blah blah I hope you're all completely recovered from yesterday's holiday festivities blah blah blah.

So let's get immediately to the first new business of 2026. To wit:

Best or Favorite Hit Singles (in America) of the British Invasion NOT Recorded by the Holy Trinity of Beatles/Stones/Kinks!!!

No arbitrary rules, you're welcome very much, but let's stipulate that for purposes of our discussion we're defining the Brit Invasion as lasting from the years 1964 through mid-1966. And, come to think of it, let's reiterate that your nominees have to have been played on the radio here in the US of A. So don't try to sneak anything in by otherwise estimable Brit bands or artists like The Fourmost or The Creation, who never charted in the States.

Oh, and no -- the songs don't have to been written by the artists in question, as the following list will demonstrate.

Okay then -- and my totally Top of My Head Top 12 is...

12. Sandie Shaw -- Girl Don't Come

It's a two-fer -- she's a total cutie, and I just love the vibrato.

11. The Who -- Can't Explain

It's funny how nobody really thinks about the 'Oo as a singles band anymore. No larger point, I just think it's funny.

10. The Animals -- Boom Boom

God, I wanted to be able to play that Alan Price organ solo.

9. The Zombies -- Tell Her No

The echoed handclap at the end. Words fail me.

8. The Troggs -- With a Girl Like You

I had completely forgotten how cool this song is until I heard it last weekend in a Farmer's Dog tv commercial. If you had told me this would be true back in 1966, swear to god I would have taken a hostage.

7. The Dave Clark 5 -- Glad all Over...

...and -- it's a tie -- Because

At this point it's not exactly a secret, but was Mike Smith the most underrated singer of the Invasion or what?

6. The Searchers -- When You Walk in the Room

Written by the great Jackie DeShannon -- Byrdsian folk-rock begins here.

5. Unit 4 Plus 2 -- Concrete and Clay

Kind of unclassifiable genre-wise -- is it funky? vaguely Latin? -- but damn it's pretty, and the band (featuring future members of Argent) kills. BTW, the b-side of this -- a vaguely doo-wop-ish cover of the pop standard "When I Fall in Love -- is absolutely to die for, and you need to hear it. Trust me.

4. The Moody Blues -- Go Now

Have I mentioned I really really don't like the post-Denny Laine mellotron incarnation of the Moodies? But that's a subject for another posting. I should also add that I could (and still can) do the piano solo from this one.

3. The Hollies -- Look Through Any Window

Uh -- those harmonies? That 12-string riff? Like you didn't see that one coming.

2. The Yardbirds -- For Your Love

The official beginning of my life-long love affair with Graham Gouldman.

And the Number 1 it-totally-slays-me record of the era that kind of surprised me when I compiled this list is...

1. Dusty Springfield -- Wishin' and Hopin'

Jeebus, what a voice. And don't think I don't tend to compare it to the contemporary girl singers currently selling in the squillions and find theirs wanting by comparison. (I'm looking at YOU, Chappell Roan and Sabrina Carpenter!) 😎

Alrighty then -- what would YOUR choices be?

And have a great weekend, everybody!!!

4 comments:

mistah charley, sb, ma, phd, jsps said...

"look through any window" reminds me of "from a window" a hit from billy j kramer and the dakotas - the direction of looking is different, one shows us humanity in general in its variety, one shows us "the one" - both joyous songs - Wikipedia tells us that on "from a window" paul mccartney can be heard harmonizing on the last word

steve simels said...

I did not know that. 😎

Gummo said...

In 1964, when we got our first record player that was just for us two kids, my big brother bought his first two singles - Roy Orbison's "Pretty Woman" and Gerry & the Pacemakers' "I Like It." So I have a sentimental attachment to that record.

steve simels said...

The keyboard guy in the Pacemakers is very underrated, IMHO.