Friend of PowerPop and my long time chum and occasional bandmate Ronnie D'Addario -- father of The Lemon Twigs and singer of the gorgeous harmonies on The Floor Models' sublime "Letter From Liverpool" -- has a song that can be heard tonight on the latest episode of New Girl.
Ronnie informs me that it can be heard, playing at low volume, in a scene set in a bar. He also informs me that it was recorded in 1976, and that the album it derives from can be downloaded from CD Baby over HERE.
Well, I know I'll be watching. Although I have a small problem with star Zooey Deschanel dating back to her performance in M. Night Shamalamadingdong's execrable 2008 The Happening.
Tuesday, November 01, 2016
Monday, October 31, 2016
Your Monday Moment of Words Fail Me
If you haven't already seen this over at BURNING WOOD -- please behold in breathless wonder The Flat Five and their absolutely gorgeous cover of "Sundays Will Never Be the Same."
You can get their just released album...
...over at Amazon HERE. I just did, I'll tell you that for free.
[h/t Sal Nunziato]
You can get their just released album...
...over at Amazon HERE. I just did, I'll tell you that for free.
[h/t Sal Nunziato]
Friday, October 28, 2016
Zacherley 1918 -- 2016
Just when I thought this year couldn't possibly suck any more than it already has -- comes the news that the Cool Ghoul has shuffled off this mortal coil...
...and with him a huge chunk of my youth.
Apart from being by far the best of all the local horror movie TV hosts of the late 50s and early 60s, Zack had a long second career as a progressive rock radio deejay in New York City. He also hosted a local NYC knock-off of American Bandstand -- Zacherley's Disc-o-Teen -- in the late 60s, where apart from cracking wise with the kids who came to the show to dance and hang out, he also introduced said teens to some of the hippest music around. I vividly remember hearing "Substitute" by The Who for the first time on his show.
And of course Alex Chilton showed up, too.
He also had a hit with perhaps my favorite novelty rock record of them all.
He lectured once at my old college in the early 70s; I was delighted to discover that he was charming, funny, and a real gent even out of costume.
Damn, this year has just been stone awful.
...and with him a huge chunk of my youth.
Apart from being by far the best of all the local horror movie TV hosts of the late 50s and early 60s, Zack had a long second career as a progressive rock radio deejay in New York City. He also hosted a local NYC knock-off of American Bandstand -- Zacherley's Disc-o-Teen -- in the late 60s, where apart from cracking wise with the kids who came to the show to dance and hang out, he also introduced said teens to some of the hippest music around. I vividly remember hearing "Substitute" by The Who for the first time on his show.
And of course Alex Chilton showed up, too.
He also had a hit with perhaps my favorite novelty rock record of them all.
He lectured once at my old college in the early 70s; I was delighted to discover that he was charming, funny, and a real gent even out of costume.
Damn, this year has just been stone awful.
Thursday, October 27, 2016
Let Us Now Praise Famous (Unsigned) Men
[I originally posted this back in 2012; I'm re-posting it now because a) the original music links have disappeared (and I recently found a superior version of the Hi-Beams track) and b) in the interim I was lucky enough to write the liner notes for a CD reissue of one of Mark's albums that as far as I know is still scheduled to come out sometime soon on Light in the Attic Records (the great label that gave us those Rodriguez discs, among others.) Enjoy. -- S.S.]
Okay, I mentioned this guy and this CD a couple of weeks ago, but I've finally got a copy and...words fail me.
In any case, here's a representative track -- the quite astonishing "That's What I Want." Sounding pretty much exactly like it would have if, like moi, you'd been lucky enough to catch a late 70s/early 80s live performance by genuine power pop underground legend Mark Johnson (doing business with The Wild Alligators) at Kenny's Castaways (which is where and approximately when the album cover was photographed, BTW.)
A postcript: These guys were -- and remain -- the single most exciting never-signed band I ever saw. Drummer Don Costagno was a monster groove player, guitarist Drew Zing was good enough to later join Steely Dan, Johnson himself was a riveting front man, and the bass guy (on the right in the photo) -- well, I thought he sucked, but that was mostly because I was desperately trying to figure out how to weasel my way into the band, which never happened. I've forgiven Mark for that lapse in judgement, obviously, if for no other reason than I wouldn't otherwise have been motivated to join The Floor Models.
I should also add that I caught MJ & TWA countless times back in the day, and they never failed to induce goose bumps; you can't imagine how many great songs they had, and most of them are on the CD. Unfortunately, it seems to be out of print at the moment, but you should head over to Amazon and order a copy of Mark's home studio masterpiece 12 in a Room over here.
I should also add that the aforementioned Floor Models (Mark II, better known as Gerry Devine and the Hi-Beams, featuring a bass player whose name rhymes with Sleeve Nimels) were one of the many Greenwich Village artists who used to cover the above song; here we are, on the radio in Woodstock, with a pretty snazzy live version of it.
Thanks, Mark!!!
Okay, I mentioned this guy and this CD a couple of weeks ago, but I've finally got a copy and...words fail me.
In any case, here's a representative track -- the quite astonishing "That's What I Want." Sounding pretty much exactly like it would have if, like moi, you'd been lucky enough to catch a late 70s/early 80s live performance by genuine power pop underground legend Mark Johnson (doing business with The Wild Alligators) at Kenny's Castaways (which is where and approximately when the album cover was photographed, BTW.)
A postcript: These guys were -- and remain -- the single most exciting never-signed band I ever saw. Drummer Don Costagno was a monster groove player, guitarist Drew Zing was good enough to later join Steely Dan, Johnson himself was a riveting front man, and the bass guy (on the right in the photo) -- well, I thought he sucked, but that was mostly because I was desperately trying to figure out how to weasel my way into the band, which never happened. I've forgiven Mark for that lapse in judgement, obviously, if for no other reason than I wouldn't otherwise have been motivated to join The Floor Models.
I should also add that I caught MJ & TWA countless times back in the day, and they never failed to induce goose bumps; you can't imagine how many great songs they had, and most of them are on the CD. Unfortunately, it seems to be out of print at the moment, but you should head over to Amazon and order a copy of Mark's home studio masterpiece 12 in a Room over here.
I should also add that the aforementioned Floor Models (Mark II, better known as Gerry Devine and the Hi-Beams, featuring a bass player whose name rhymes with Sleeve Nimels) were one of the many Greenwich Village artists who used to cover the above song; here we are, on the radio in Woodstock, with a pretty snazzy live version of it.
Thanks, Mark!!!
Wednesday, October 26, 2016
Tuesday, October 25, 2016
Bobby Vee 1943 - 2016
From (Holy) Greil Marcus' brilliant Mystery Train:
At a DJ convention early in 1973, I sit drinking with Bobby Vee and Brian Hyland, veterans of the Now-That-Elvis-Is-in the Army-We-Can-Cash-in-on-the Vacuum Era. I am interviewing Bob (he has changed his name back to Veline and is a folksinger now) in order to pen six thousand words of liner notes to a greatest hits package, an essay that will no doubt be the only extended critical discussion of his oeuvre. Bob tells me that, yes, for him it all began with Elvis -- and suddenly the whole tone of the conversation is different. Professional cool drops away and we are shameless fans, awed by our subject. Vee and Hyland have met Elvis: he got drunk with Hyland (so Brian says) and was surly to Vee (I believe that). Well, they are outcasts in the rock 'n' roll world now, two very ordinary looking men; for all their triviality as rock singers, they once did their best to live up to Elvis and keep the faith. You can almost feel them gazing at Elvis as he is today, as if in his comback they still see a glimmer of a future for themselves, just as they did when he started out years ago.
The guy died of Alzheimers, which he first was diagnosed with at the age of 67.
This kind of shit is really starting to break my heart.
Monday, October 24, 2016
Randy Newman Wants to Be a Putin Girl!!!
"Here’s a song dedicated to a great world leader. I hope all of you like it. I know he will." — Randy Newman, October 12, 2016
This guy is an American treasure -- as some Brit said about Keith Moon, why haven't we nationalized him?
Incidentally, I didn't think Newman could ever surpass his "A Few Words in Defense of Our Country"...
...but I think he just did.
Friday, October 21, 2016
The Year of Living Miserably
So I think that we can all agree that 2016 has been one of the suckiest years in the history of suckitude. I have personal reasons for saying that, obviously, but across the board the year has been pretty damn horrible on about a zillion levels.
Still, for me anyway, there has been one constant bright spot -- music. I have been lucky enough to be turned on this year to all sorts of great stuff -- largely in the genre that defines the mission statement of this here blog -- to the point where 2016 will be the first time I will find it easy to vote a Top Ten album list in the Village Voice Critics Poll in over a decade. I mean, for The Swedish Polarbears alone, and they're just the tip of the iceberg.
In any case, courtesy of my chum Marc Platt -- and may I just say, and for the record, that the fact I never got to see his band The Real Impossibles in a club back in the day is now the great regret of my adult life -- I've just discovered the incredibly great Nick Piunti.
Holy Cheap Trick, Beatles, Matthew Sweet, Willie Nile et al, Batman!
The above song is from a 2013 album; Nick's newest CD came out at the end of September (on Marty Scott's JEM Records imprint, which I hadn't realized still existed) and it's more of the same and possibly even more infectiously memorable.
You can find out the skinny on Nick -- who's been doing this kind of stuff for years, and why didn't I get the memo previously? -- over at his official website here. You can also order his albums, which I recommend you do posthaste.
Have I mentioned that this guy is so great I hate him?
Have a great weekend, everybody!
Still, for me anyway, there has been one constant bright spot -- music. I have been lucky enough to be turned on this year to all sorts of great stuff -- largely in the genre that defines the mission statement of this here blog -- to the point where 2016 will be the first time I will find it easy to vote a Top Ten album list in the Village Voice Critics Poll in over a decade. I mean, for The Swedish Polarbears alone, and they're just the tip of the iceberg.
In any case, courtesy of my chum Marc Platt -- and may I just say, and for the record, that the fact I never got to see his band The Real Impossibles in a club back in the day is now the great regret of my adult life -- I've just discovered the incredibly great Nick Piunti.
Holy Cheap Trick, Beatles, Matthew Sweet, Willie Nile et al, Batman!
The above song is from a 2013 album; Nick's newest CD came out at the end of September (on Marty Scott's JEM Records imprint, which I hadn't realized still existed) and it's more of the same and possibly even more infectiously memorable.
You can find out the skinny on Nick -- who's been doing this kind of stuff for years, and why didn't I get the memo previously? -- over at his official website here. You can also order his albums, which I recommend you do posthaste.
Have I mentioned that this guy is so great I hate him?
Have a great weekend, everybody!
Thursday, October 20, 2016
Wednesday, October 19, 2016
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