I particularly like George Harrison Ford's later solo work. 😎
If you're not familiar with him, I should note here that Freberg was kind of a snob hipster jazz guy, and as you can probably tell from the above, he genuinely looked down on rock-and-roll -- in fact, IMHO the record's drollest gag is the singer's upset when the piano solo goes a little too upscale.
That said, this tickled me to death as a kid, and I wouldn't be surprised if Elvis himself thought it was funny despite its mean-spiritedness.
I should add that I originally had it on Stan's 1957 sort of Greatest Hits record A Child's Garden of Freberg...
...which is one of the essential comedy albums of its day, and worth it for the parody of Dragnet alone.
To this day, I can't hear the word "knave" without cracking up.
He's almost fully recovered, thank you very much, but seriously -- I'm still totally exhausted from dealing with it.
That being the case, I must apologize for not being able to put my usual deep thought into coming up with a theme for this weekend's EQ.
Or for slacking through this introduction and getting immediately to the business at hand. To wit:
...and the post-Elvis pop/rock/soul-r&b/folk/country star performer you would most like to meet (or to have met but never did) is...?
Discuss.
I gotta say, due to the nature of my toiling at The Magazine Formerly Known as Stereo Review, I was insanely lucky enough over the years to have encountered or interviewed a galaxy of such folks, most of whom were absolutely delightful (notable exception: Major schmuck Chevy Chase. I'm pretty sure I've told that story here at some point, but if I haven't, remind me and I'll do it next week).
In any event, my own choice would be this guy.
Let's just say that the world has been a distinctly less entertaining place since he departed this sad vale of tears in 2020.
Alrighty, then -- who would YOUR choices be?
And have a great weekend, everybody!!!
Whew. That's terrific, and I'm not just saying that because their dad is an old friend/bandmate of mine.
Seriously, on top of being ridiculously brilliant and talented, those kids have the kind of work ethic we haven't seen since certain great Brit bands of the '60s I could mention. 😎
Had a very long stressful day yesterday -- short version: our pussycat had major dental surgery and is still quite under the weather.
Particularly groovy music stuff resumes on the morrow.
I must confess I had never heard of the young lady in question until one of my FB buds posted the clip (which derives from a Wild Honey autism benefit in LA) last weekend; an internet search hipped me to the fact that she's got three albums out and will be doing a few live gigs in the not so distant future (including another LA show with Wild Honey in April.)
You can find out more about her -- and listen to a lot of her own music, which seems to be sort of countrified Joni Mitchell -- over at her website HERE.
BEST OR WORST POST-ELVIS POP/ROCK/COUNTRY/R&B OR SOUL SONG/RECORD REFERENCING WAR OR PEACE IN ITS LYRICS OR TITLE, EITHER DIRECTLY OR INDIRECTLY!!!!!!Totally arbitrary rule: No folk music performances. I.e., it has to be a loud record with drums or something drum adjacent. Thank you.
Okay, that said, my totally top of my head Top Ten is:
10. Bruce Springsteen -- Last to Die
From Magic, which is the last really great album he made in my opinion. At the time it came out, I wrote that the shadow of the Iraq war seemed to hover over the entire record, and I stand by that assessment.
9. Vince Vance and the Valiants -- Bomb Iran
To be honest, I hate even bringing up this reprehensible piece of shit, but it's such an artifact of evil I'd really be remiss if I didn't include it. I should add that it was given a new lease on life by Sen. John McCain [R-Glad He's Dead], just one of many reasons to have hated that asshole, and that in a hideous historical irony, the guy who composed the original song -- the Regents' hit "Barbara Ann" -- on which this desecration is based was actually himself of Iranian lineage.
8. Stephen Colbert and Friends - (What's So Funny 'Bout) Peace Love and Understanding?
Sorry I couldn't find the actual video for this, which I believe is now the definitive version (the friends are Elvis Costello, Toby Keith, Feist, Jon Legend and Willie Nelson). I must say, though, the idea that a wiseguy cynic like Nick Lowe actually wrote what has become the most beloved anti-war song of our time is a bit of a mind-blower.
7. Jefferson Airplane -- Volunteers
And to think, they would go on to follow this up with "We Built This City."
6. Fear -- Let's Have a War
"It could start in New Jersey!" The great Lee Ving on vocals, obviously. If memory serves, this is the song Fear were singing on SNL when some punks in the audience rioted. John Belushi loved it.
5. Fotheringay -- Banks of the Nile
The British Army in Egypt, and absolutely heartbreaking, via the great Sandy Denny.
"Oh cursed be these cruel wars, that ever they began
For they have robbed our country of many's the handsome man
They've robbed of us of our sweethearts while their bodies they feed the lions
On the dry and sandy deserts which are the banks of the Nile."
4. Terry Reid -- Speak Now or Forever Hold Your Peace
The oft-covered -- Cheap Trick, Christopher Milk -- classic, but the original remains the greatest.
3. Edwin Starr -- War
I mean, I don't want to belabor the obvious, but...😎
2. Creedence Clearwater Revival -- Fortunate Son
And boy, has this one not dated one whit. Unfortunately.
And the number one song about the yin and yang of man's fate, it's self-evidently obvious and if you give me any grief about it I will come to your house with a regiment of mounted cavalry and obliterate you, is...
1. Steve Simels -- I Come and Stand at Every Door
"All that I ask is that for peace/you fight today -- you fight today."
Me doing the Pete Seeger/Byrds classic. What -- like you didn't see that coming? 😎😎
Awrighty then -- what would YOUR choices be?
And have a great weekend, everybody!!!
As you probably know, the song was a minor hit for the Everly Brothers on their wonderful 80s comeback album EB 84. That version was produced by Dave Edmunds and was very much in his vein, with lots of massed acoustic guitars. The Spongetones, however, reworked the song a la vintage Merseybeat guitar rock, sounding as it might have if the Fab Four had had a go at it back in the day. As you can hear, they did an absolutely brilliant job-- the basic track recalls the Fabs circa '64 or '65, but with a lovely recreation of George Harrison's All Things Must Pass lead guitar stylings on top. I think it's a knockout.
Anyway, I bring all this up because the Spongetone guys are about to drop a series of new singles on Big Stir Records; I've heard the first one, "So Long," which is absolutely wonderful in a kind of McCartney/early Who sort of way, but unfortunately I can't figure out how to embed the audio, and it's not on YouTube yet. I'll keep you posted as soon as that changes.
I had the Brit import pressing of this -- was there an American version? I'm not sure -- and I remember pretty much wearing it out. I mean physically, i.e. just constantly playing it over and over.
Damn, what a brilliant piece of work on every level.
I should add -- and I had TOTALLY forgotten this -- that it was produced and co-written(!) by the great Will Birch, of power pop gods The Records.
Man, there were giants in the Earth in those days. 😎
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