
A pretty little puppy goes shopping in the pretend grocery store.

Where a monkey works checkout.

Meanwhile, a duckling attempts to eat some keys.
Rush didn't get deferred from Vietnam because of a "tailbone defect," he had a pilonidal cyst, which is a hair-filled sinus on the skin over the coccyx. The problem is entirely within the skin, and has nothing whatsoever to do with the tailbone itself.



1. Make Use
2. Vibrations In The Woods
3. Just Say The Word
4. Subspace Biographies
5. Caught Waves Again
6. Waved Out
7. Whiskey Ships
8. Wrinkled Ghost
9. Artificial Light
10. People Are Leaving
11. Steeple Of Knives
12. Rumbling Joker
13. Showbiz Opera Walrus
14. Pick Seeds From My Skull
15. Second Step Next Language
Okay. As Dayton, OH¹s Guided by Voices moves ever-closer to Head Voice Bob Pollard¹s dream of re-making the first Cheap Trick record, he releases a (second) solo album showcasing the more eclectic side of his songwriting. Fine. It¹s all here, too: Wire, early Genesis, Nilsson Schmilsson, Beatles¹ White Album (Lennon only), Blue Oyster Cult (mainly Eric Bloom¹s haircut and Meltzer¹s song titles), XTC, Captain Beefheart, blah blah blah.
Waved Out (you know, like too many microwaves, radio waves, TV waves, New Wave) is a magnificent fucking record, maybe the best example yet of Bob¹s ability to compress a bunch of ideas that should by no means work together--drawing from prog, psych, and postpunk, mostly--into a two minute pop song that blows past most of what¹s out there like one of his ninety-mile-an-hour fastballs (Bob was, after all, the first to throw a no-hitter in the history of Wright State University).
A lot¹s been made of Pollard¹s spontaneous and prolific songwriting methods, and most of that¹s true, though he works much harder on his songs than even he likes to admit. Judging from Waved Out, he's growing increasingly comfortable and ambitious in formal studio-type settings, so that anyone who carps about ³unfinished arrangements² and ³shitty production values² ought to be pretty happy with this record. This doesn't apply, of course, to ³Caught Waves Again,² where he sings into a boombox over a tape of GbV guitarist Doug Gillard¹s noodling, or ³People Are Leaving,² (a really touching song, by the way, about a few recent Dayton tragedies) where he puts two separate melodies over an instrumental tape from LA-based songwriter Stephanie Sayers.
Let's see. A couple members of the latest Guided by Voices lineup (version 23, at least) played on the new record--Jim MacPherson (ex-Breeders drummer), the aforementioned Gillard. But the bulk of the record is pure Pollard, even a bunch of the drumming (his brother Jimmy helped out, too, as usual). Waved Out's extended musical reach is a much different matter than Pollard's first solo run, 1996's Not In My Airforce, which had a more spontaneous, DIY feel. The new one combines NIMA's self-indulgent bent with the better (i.e. more thoughtful) aspects of Bob's well-honed pop instincts.
What more to say? We're proud of the old coot, and despite his continued threats to move on to the ³porch rock² phase of his rock/drinking career, hope he continues to provide us with quality rock product of which Waved Out is the latest and one of the best.












There's no point in asking you'll get no reply
I just remember I don't decide
I got no reason it's too all much
You'll always find us out to lunch
Oh we're so pretty
Oh so pretty
We're vacant
Oh we're so pretty
Oh so pretty
We're vacant
Don't ask us to attend 'cause we're not all there
I don't pretend 'cause I don't care
I don't believe illusions 'cause too much is real
So stop your cheap comment
'Cause we know what we feel
Oh we're so pretty
Oh so pretty
We're vacant
Oh we're so pretty
Oh so pretty
We're vacant
And we don't care!!

An idiosyncratic blog dedicated to the precursors, the practioners, and the descendants of power pop. All suggestions for postings and sidebar links welcome, contact any of us.