Which leads us to today's business. To wit:
...and your favorite organ part/riff/solo on a post-Elvis pop/rock/folk/soul record is...???
In case you're wondering, mine can be heard, by Alan Price (the genius who made The Animals), below.
I gotta tell you -- back in my musical youth, I killed many frustrating hours trying to learn how to play that solo, without success.
I should add that my plan was gonna be to make today's post a Listomania of Best Organ Players, which I have not specifically done before, but in the end I decided not to because (1) there are, frankly, too many to choose from and anyway (2) I didn't want to rank my choices. (If pressed, BTW, and in no particular order, my Top Five fave organists are the aforementioned Hudson and Price, plus Felix Cavaliere of the Rascals. Matthew Fisher of Procol Harum, and Bob Andrews of Brinsley Schwarz).
And speaking of Bob Andrews...
...therein lies one of my favorite true tales, which I have told before, but which behooves repeating in honor of the recently departed.
The short version: So Andrews -- seen in the clip above covering himself in glory with some of the most lyrical keyboard work imaginable -- was, not surprisingly, a huge fan of Garth Hudson, and was constantly updating his gear in emulation of the Great Man Himself; if there was an effects pedal or amp Hudson used, Andrews would immediately add it to his arsenal, trying to get that elusive Hudson sound. Only problem was, no matter what he did, he couldn't quite achieve total Garth-ness and it drove him nuts.
Anyway, sometime in the early 70s The Band toured the UK and at one point wound up rehearsing at the Brinsley's studio and using their equipment. Garth walked in, said nothing to anybody, turned all of Andrews' keyboards and other equipment on, put his fingers to the keys, and immediately sounded just like himself.
And Andrews, who had been lurking in a corner too awed to even say hello to his idol, literally wept. 😎
Alrighty then -- what YOUR choices be?
And have a great weekend, everybody!!!
8 comments:
I really like Kansas "Carry On Wayward Son"
"When a Man Loves a Woman" - Percy Sledge with the great Spooner Oldham. (I have been lucky enough to meet both Bob Andrews and Spooner. Bob and I have always shared the same hairline!)
Lee Michaels' Stormy Monday
YouTube:
https://www.youtube.com/watch?v=X7PpXSC1NN4
My Blog:
https://kleaveburg.blogspot.com/2011/04/lee-michaels-1969.html
Steve Winwood (with Jim Capaldi playing drums, but no Chris Wood), “Every Mother’s Son”, from the John Barleycorn Must Die album; fantastic organ solo from my favorite master of the B-3. While you have that album out, “Empty Pages” has another fantabulous Winwood solo, on electric piano this time.
I’ve seen Winwood live several times and he never fails to bring the goods.
Karl Wallinger's rip in "Take it Up" from Goodbye Jumbo. Knocks me out every time
I Got the Blues by the Rolling Stones. Organ solo by Billy Preston.
https://www.youtube.com/watch?v=3B-aFsFBgc0
I can't narrow it down to one so here are a few good ones:
1) Gregg Allman - His organ work, particularly the solo, on the Allman Brothers cover of "Stormy Monday Blues" from their classic Fillmore live set.
2) Garth Hudson's solos on the studio version of the Band's "The Shape I'm In."
3) Ian McLagan - Like many young UK keyboard players of the time, channeling Booker T. Jones for his organ work on the Faces' instrumental "Pineapple & The Monkey."
4) Steve Winwood - His organ work on the Spencer Davis Group's instrumental "Waltz For Lumumba", especially those freaky high-register intense sounds he plays near the end of the track. As well, Winwood's organ solo at the end of the SPG hit "I'm A Man."
5) Gregg Rolie's solo on Santana's "Everything's Coming Our Way."
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