You know, as a rule, I try not to say anything bad about my rock critical colleagues, all of whom I consider to be splendid fellas and gals with impeccable manners and grooming (and I say this as somebody who once saw Richard Meltzer take a pee on the centerpiece at a fancy press dinner. Hey, we were all young once).
Nevertheless, I must admit I find this guy largely insufferable, and not just because he seems incapable of writing anything about an artist without at least one mention of his or her most recent Billboard chart position.
Then again, the pop/rock criticism over at the New York Times has always been a little disappointing, especially when compared to their film criticism. Say what you will about the otherwise estimable Jon Pareles, but he's nowhere near as entertaining as A. O. Scott.
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3 comments:
While I'm not familiar with the critic you mention, I am skeptical about any person involved with rock and roll that graduated from Hah-vahd.
Billy B.
My mind boggles at the vast number of bands that came out of Choate.
The Chars
The Chex Pistols
The Buzzchalks
The Inspiral Charpits
The Mighty Chafftones
Bob Chillin
Chad Can Dance
The Throwing Chooses
XTCheese
The English Cheat
OK, I'm so ashamed of myself already and I've just begun.
Those Choate kids always have the best stereos...
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