Stockholm, here we come!!!
BTW, I absolutely adore that Trent Reznor re-imagining of the Zep song, and I think the David Fincher film of The Girl With the Dragon Tattoo from which it derives is (with the exception of one head-scratching directorial decision) close to a masterpiece. Particular kudos go to the screenplay by Steve Zallian, whose opening ten minutes or so is about as brilliantly concise a piece of exposition as you'll ever encounter.
That said, the credit sequence for Fincher's film is -- apart from the music -- utterly and inexplicably pointless and seemingly unmoored to the rest of the film.
BTW -- don't get me started on the piece of crap Swedish version, which is barely at the level of a made for Lifetime TV-movie.
Have I mentioned that we're leaving for Stockholm today?